Hm - including past as well as present:
Bass: old Buescher (1924) has an ENORMOUS sound, but holy f*** does it ever suck air!!!
I miss my old Keilwerth, which was more like a gigantic baritone with a supercharger. The Buescher isn't very nimble, and I want to get something more modern again.
Bari: SA80-II is my main horn - I keep two necks set up: a mild jazz mouthpiece on the stock neck, and a slightly aggressive classical mouthpiece on a silver neck. This one has a black/gold finish, which is kinda slutty but very eye catching. I love it. When I want loud, I've got an old Martin (Committee II maybe) which will levitate the dead. I've had a couple of VI's, but both these are better.
Tenor: I love my Borgani Jubilee. It's classy but hit-the-tornado-sirens LOUD! My very first sax was an American Artist (Conn stencil), which I gave a full rebuild out of respect - it's loud, but the Borgani is numinous, and louder.
C-melody: I've got an old Buescher TT which sounds good with original mpc. I need to get it tuned up, then maybe I'll take it out busking.
Alto: I've got a late Buffet (made by Keilwerth). My old New Aistocrat IV, which I liked, walked. Best of all was my old Mark VI - ripped off by Bob Ackerman.
Sop: I've got a Taiwanese "InternationalWoodwind", which sounds mpretty good, and a curved Borgani, which is better but a little wimpy. I miss my old VI, though it wadn't a very good VI. I'm shopping.
C-sop: I had an old American horn - don't remember which - which was very nice. It came with a Bb mpc though, and wouldn't play remotely close to in tune with yhat. I'd like to get a C-sop again, but now I know a Bb mpc is totally f***ed for this.
Nino: I've got a "Mason", which is pretty good for a Taiwan horn, and a Steve Goodson, which is uglier but better made. If I get a good C-sop again, I'll give up on nino. It's a bear.
Contrabass: I've got a EEb Conn sarrusophone, which is pretty good, but I liked my old Gautrot better. What I really want is an Eppelsheim'