Charles Lloyd Charles Lloyd Charles Lloyd Charles Lloyd!

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\r\n Default Charles Lloyd Charles Lloyd Charles Lloyd Charles Lloyd!\r\n

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\r\n Just heard the New Quartet, with Jason Moran, Rueben Rogers, and Eric Harland here in Buffalo -' + '- right in front of him, about 20 feet away... Inspiring, astonishing, stunning! I had to remind myself to breath from time to time. 2011 is young, but it\'s gonna be hard to top this performance this year! Anyways...\r\n
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My BRAND SPANKING STILL HERE CD, • House of Relics • iTunes, Amazon, Bandcamp.
\r\nSakshama Link on a VIGwind Slant on a 10MTenney Berg on a VIPhil-tone Alto on a TH&C
\r\nWebsite: What Would Mingus Do? • Jazz Blog: Harder Bop
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    \r\n Default Re: Charles Lloyd Charles Lloyd Charles Lloyd Charles Lloyd!\r\n

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    \r\n I saw him a week ago in Boston - it was rather breathtaking.\r\n
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    www.andrewfrankhouse.com -' + '- recordings, practice materials, and solo transcriptions!
    \r\nPlease check out my new album Gray/Slate/Yellow, available on iTunes, CDBaby, and Amazon!
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    \r\n Default Re: Charles Lloyd Charles Lloyd Charles Lloyd Charles Lloyd!\r\n

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    \r\n I saw him live in \'02. It was truly the best concert I\'ve ever attended. Wish he\'d play closer to where I live. Enjoy your high!\r\n
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    Soprano - Antigua Winds 590-BC JodyJazz Classic 8-3/4, Fibracell; Rascher, Legere Signature, Rovner Dark
    \r\nAlto - Yamaha YAS-875EXB JodyJazz Classic 9, Legere Studio Cut, Rovner Dark; Rascher, Legere Classic, Francois Louis
    \r\nTenor - Yamaha YTS-62 JodyJazz Classic 12, Legere Studio Cut, Rovner Light; Rascher, Legere Classic, Francois Louis
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    \r\n Default Re: Charles Lloyd Charles Lloyd Charles Lloyd Charles Lloyd!\r\n

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    \r\n You might want to check this out:
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    \r\nhttp://www.wbgo.org/thecheckout/charles-lloyd-mirror/\r\n
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    \r\n Default Re: Charles Lloyd Charles Lloyd Charles Lloyd Charles Lloyd!\r\n

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    \r\n I saw him at Rose Hall/JALC in NYC on Saturday night - I think maybe the night before he went to Buffalo. Yes, it was absolutely breathtaking! One of the best live shows I\'ve ever seen. \r\n
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    Pass the peas.
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    Forum Contributor 2013\r\n
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    \r\n Default Re: Charles Lloyd Charles Lloyd Charles Lloyd Charles Lloyd!\r\n

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    \r\n I missed him this time through Boston but have seen him on several wonderful occasions. If you\'ve never seen him and you have a chance you\'ll do yourself a great favor by checking him out.\r\n
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    \n\r\n \nKelly Bucheger est déconnecté\r\n\n\r\n \r\n
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    \r\n Default Re: Charles Lloyd Charles Lloyd Charles Lloyd Charles Lloyd!\r\n

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    \r\n I like Charles Lloyd. I enjoy his recordings. But: LIVE: man, I was *gobsmacked*! I expected it to be great, but it was almost ... I don\'t know ... you could laugh and cry and hug the person next to you because you were sharing something so stunning and rare. I\'ll stop now, but I just did not expect that. I expected, you know, a really ripping jazz performance. The thing was that, but it was also something else. It\'s why I love this music.
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    \r\nLovely, lyrical playing, and Lloyd\'s quiet charisma. Intensity. The rhythm section was thrilling. Like I said, I\'ll stop now.\r\n
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    My BRAND SPANKING STILL HERE CD, • House of Relics • iTunes, Amazon, Bandcamp.
    \r\nSakshama Link on a VIGwind Slant on a 10MTenney Berg on a VIPhil-tone Alto on a TH&C
    \r\nWebsite: What Would Mingus Do? • Jazz Blog: Harder Bop
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    \r\n Default Re: Charles Lloyd Charles Lloyd Charles Lloyd Charles Lloyd!\r\n

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    \r\n Kelly, I know what you\'re talking about. When I saw him with the same musicians at Ottawa\'s Jazz Festival two years ago I cried ,laughed ,felt buzzed, was stuck dumb,spontaneously got up and danced...all this and an extremely impressive jazz show too. Charles Lloyd is the real deal!!!\r\n
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    1923 Conn New Wonder straight soprano
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    \r\n1927 Conn NWII ( Chu ) alto
    \r\n Selmer Soloist Scrollshank C**
    \r\n1964 Conn 10M
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    \r\n Default Re: Charles Lloyd Charles Lloyd Charles Lloyd Charles Lloyd!\r\n

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    \r\n Cool! I\'ve never had the chance to see him! Does he still play a Conn tenor?\r\n
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    Martin "Dick Stabile" Tenor: Barone Jazz 7*/GW7
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    \r\n"The spiritual life is built upon a commitment to truth telling and truth living. As master jazz musicians, [John Coltrane and Miles Davis] presented their spirituality within the reality of cool." -' + '-Farah Jasmine Griffen and Salim Washington
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    \r\n Default Re: Charles Lloyd Charles Lloyd Charles Lloyd Charles Lloyd!\r\n

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    \r\n Quote Originally Posted by rleitch\r\n View Post\r\n
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    Cool! I\'ve never had the chance to see him! Does he still play a Conn tenor?
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    \nFrom the program notes to the JALC concert:
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    \r\nLloyd was ten when he first heard Lester*Young’s recording of “I’m Confessin’,” which*established the template that fuels his ongoing*predisposition to convey tender sentiments*through his instrumental voice. “That’s partly*why I still play these beautiful saxophones*from the 1920s and the 1930s,” he told the*Santa Barbara reporter. “They have the pre-war feeling; the metal is different. Of course a*younger player today might not appreciate*these older instruments because they don’t*have the flash, the speed of the best new*horns. It’s like there are these Ferraris out*there, but I’ve sacrificed that glitziness for the*burnished feel of an old Packard.”*\r\n
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    \r\n Default Re: Charles Lloyd Charles Lloyd Charles Lloyd Charles Lloyd!\r\n

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    \r\n Quote Originally Posted by EE NYC\r\n View Post\r\n
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    From the program notes to the JALC concert:
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    \r\nLloyd was ten when he first heard Lester*Young’s recording of “I’m Confessin’,” which*established the template that fuels his ongoing*predisposition to convey tender sentiments*through his instrumental voice. “That’s partly*why I still play these beautiful saxophones*from the 1920s and the 1930s,” he told the*Santa Barbara reporter. “They have the pre-war feeling; the metal is different. Of course a*younger player today might not appreciate*these older instruments because they don’t*have the flash, the speed of the best new*horns. It’s like there are these Ferraris out*there, but I’ve sacrificed that glitziness for the*burnished feel of an old Packard.”*
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    \nClassic! There\'s got to be a great composition idea in there someplace!\r\n
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    Martin "Dick Stabile" Tenor: Barone Jazz 7*/GW7
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    \r\n Default Re: Charles Lloyd Charles Lloyd Charles Lloyd Charles Lloyd!\r\n

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    \r\n Besides the high artistic integrity, Charles is a master at choosing his sidemen. But contrary to others, I was a bit disappointed with his last CD, Mirrors. I own virtually every Charles Lloyd CD and this last one is basically a remake of songs from other CDs. Also, his intonation isn\'t as tight as it has been in other records. Still, a good CD. My favorite of his is "Canto".\r\n
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    \r\nAlto: Yanagisawa AWO20, Lamberson Fmaj7 mpc, unfiled Select Jazz 2H reeds, Vandoren Optimum ligature
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    \r\n Kelly Bucheger\r\n \r\n
    \n\r\n \nKelly Bucheger est déconnecté\r\n\n\r\n \r\n
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    \r\n Default Re: Charles Lloyd Charles Lloyd Charles Lloyd Charles Lloyd!\r\n

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    \r\n Off: he is indeed the real deal. I haven\'t checked out his stuff in, oh, the last decade or so, so I\'m looking forward to checking it all out...
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    \r\nRory: he was indeed playing some sort of Conn -' + '- split bell keys, so I guess that\'s not a 10M -' + '- and appeared to be gold-plated...
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    \r\nThat afternoon, before the gig, I\'d practiced on my 10M, because my VI needs some work -' + '- and seeing CL hours later playing a Conn made me feel like -' + '- okay, let\'s give this thing a shot for a while...
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    \r\njlima: thanks for the suggestion of Canto -' + '- I\'ll check it out...\r\n
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    My BRAND SPANKING STILL HERE CD, • House of Relics • iTunes, Amazon, Bandcamp.
    \r\nSakshama Link on a VIGwind Slant on a 10MTenney Berg on a VIPhil-tone Alto on a TH&C
    \r\nWebsite: What Would Mingus Do? • Jazz Blog: Harder Bop
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    \r\n Default Re: Charles Lloyd Charles Lloyd Charles Lloyd Charles Lloyd!\r\n

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    \r\n Quote Originally Posted by Kelly Bucheger\r\n View Post\r\n
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    I haven\'t checked out his stuff in, oh, the last decade or so, so I\'m looking forward to checking it all out...
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    \nYou don\'t know what you\'re missing!!\r\n
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    \r\n Default Re: Charles Lloyd Charles Lloyd Charles Lloyd Charles Lloyd!\r\n

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    \r\n Quote Originally Posted by Kelly Bucheger\r\n View Post\r\n
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    Off: he is indeed the real deal. I haven\'t checked out his stuff in, oh, the last decade or so, so I\'m looking forward to checking it all out...
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    \r\nRory: he was indeed playing some sort of Conn -' + '- split bell keys, so I guess that\'s not a 10M -' + '- and appeared to be gold-plated...
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    \r\nThat afternoon, before the gig, I\'d practiced on my 10M, because my VI needs some work -' + '- and seeing CL hours later playing a Conn made me feel like -' + '- okay, let\'s give this thing a shot for a while...
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    \r\njlima: thanks for the suggestion of Canto -' + '- I\'ll check it out...
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    \nKelly, definitely give the 10M a shot for a while. I just got mine back earlier tonite from my repairman. It certainly has a vibe that no Selmer can quite catch. Especially a VI. I can only imagine how different the 10M feels (and blows) to you compared to your VI. The feel of my 10M isn\'t incredibly different from my Super, but when I play the two horns back to back, it\'s amazing how much more spread and "tubby" the 10M is, even compared to what I think is already a fairly spread/tubby sounding Super that I own.
    \r\nCL\'s Conn sounds to me like a "Chu", since you mentioned the bell keys being on both sides.
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    \r\nHope you\'re doing well!
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    \r\n Default Re: Charles Lloyd Charles Lloyd Charles Lloyd Charles Lloyd!\r\n

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    \r\n Quote Originally Posted by jgreiner\r\n View Post\r\n
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    Kelly, definitely give the 10M a shot for a while. .
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    \nHey, John! Yeah, man, I\'m definitely going to stick with the Conn for a bit -' + '- it\'s got a really great character to the sound. I played it at my regular Monday night jazz extravaganza, and the bass player was raving about how much he digs the Conn tenor sound, and said he can always tell when someone\'s playing one!
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    \r\nThe ergos are actually very doable -' + '- I\'m mean, how could I say they ain\'t, since I\'ve just heard Charles Lloyd do whatever the hell he wanted with impunity, and can watch Dexter et al on YouTube being as nimble as can be!
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    \r\nThe only issues I have are with the balance of the horn, and with the G# trill key, which kind of flops around a bit while I\'m playing... But: I\'m dealing!\r\n
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    My BRAND SPANKING STILL HERE CD, • House of Relics • iTunes, Amazon, Bandcamp.
    \r\nSakshama Link on a VIGwind Slant on a 10MTenney Berg on a VIPhil-tone Alto on a TH&C
    \r\nWebsite: What Would Mingus Do? • Jazz Blog: Harder Bop
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    \r\n Default Re: Charles Lloyd Charles Lloyd Charles Lloyd Charles Lloyd!\r\n

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    \r\n Quote Originally Posted by Kelly Bucheger\r\n View Post\r\n
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    Hey, John! Yeah, man, I\'m definitely going to stick with the Conn for a bit -' + '- it\'s got a really great character to the sound. I played it at my regular Monday night jazz extravaganza, and the bass player was raving about how much he digs the Conn tenor sound, and said he can always tell when someone\'s playing one!
    \r\n
    \r\nThe ergos are actually very doable -' + '- I\'m mean, how could I say they ain\'t, since I\'ve just heard Charles Lloyd do whatever the hell he wanted with impunity, and can watch Dexter et al on YouTube being as nimble as can be!
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    \r\nThe only issues I have are with the balance of the horn, and with the G# trill key, which kind of flops around a bit while I\'m playing... But: I\'m dealing!
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    \nKelly, I completely hear ya in regards to that G# "gizmo" key. Mine still has it as well, but I\'ve seen and played other 10M\'s that they\'ve been removed from. Mine doesn\'t rattle around noticeably, but every once in a while my middle RH finger brushes against it when I\'m playing and that does feel kinda odd.
    \r\nBalance of the horn is definitely different as well. Plus the angle of the neck as I bring it into my mouth is quite different than my Super. I have to pull up on my strap just a tad to make up for the angle difference, which at first feels odd, but 5 minutes later I don\'t notice it at all. They\'re definitely great horns and I\'d love to hear you on the thing! Speaking of which, may the fleas of a thousand camels infest your armpits for not giving me a call when you were in Wausau over Christmas!!
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    \n\r\n \nJoe Giardullo est déconnecté\r\n\n\r\n \r\n
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    \r\n Default Re: Charles Lloyd Charles Lloyd Charles Lloyd Charles Lloyd!\r\n

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    \r\n One of the great memories I have is Charles Lloyd, Keith Jarrett, Cecil McBee and Jack DeJohnette at the Fillmore East, maybe \'69 or \'70 (hard to say,IYKWIM).
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    \r\nBut his latest recorded works are just beautiful and I need to go!\r\n
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    \r\n Default Re: Charles Lloyd Charles Lloyd Charles Lloyd Charles Lloyd!\r\n

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    \r\n Quote Originally Posted by Joe Giardullo\r\n View Post\r\n
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    One of the great memories I have is Charles Lloyd, Keith Jarrett, Cecil McBee and Jack DeJohnette at the Fillmore East, maybe \'69 or \'70 (hard to say,IYKWIM).
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    \r\nBut his latest recorded works are just beautiful and I need to go!
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    \nForest Flower!
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    \r\nThe live album from the Soviet Union was one of my first jazz records. I went to the 2nd-hand shop looking for Forest Flower and that was the one they had.\r\n
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    Martin "Dick Stabile" Tenor: Barone Jazz 7*/GW7
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    \r\n Default Re: Charles Lloyd Charles Lloyd Charles Lloyd Charles Lloyd!\r\n

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    \r\n \r\n One of the great memories I have is Charles Lloyd, Keith Jarrett, Cecil McBee and Jack DeJohnette at the Fillmore East, maybe \'69 or \'70\r\n \r\n
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    \nomg, who else was on that ticket? Must have been a mind blowing evening to say the least.... little before my time, seeing Count Basie around 1980 was one of my first jazz experiences...
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    \r\n Default Re: Charles Lloyd Charles Lloyd Charles Lloyd Charles Lloyd!\r\n

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    \r\n Quote Originally Posted by fsaxwas9\r\n View Post\r\n
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    omg, who else was on that ticket? Must have been a mind blowing evening to say the least.... little before my time, seeing Count Basie around 1980 was one of my first jazz experiences...
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    \nI think it was the Paul Butterfield Band(with Sanborn and Gene Dinwiddie on saxes). Probably more likely \'69.
    \r\nFor folks who never heard Dinwiddie- what a killer tenor player, via Chicago and an early member of the AACM there.\r\n
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    \r\n Default Re: Charles Lloyd Charles Lloyd Charles Lloyd Charles Lloyd!\r\n

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    \r\n Quote Originally Posted by Joe Giardullo\r\n View Post\r\n
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    I think it was the Paul Butterfield Band(with Sanborn and Gene Dinwiddie on saxes). Probably more likely \'69.
    \r\nFor folks who never heard Dinwiddie- what a killer tenor player, via Chicago and an early member of the AACM there.
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    \nI saw this concert package in Boston in \'68 or \'69. I was a big fan back then. I saw the band in Hollywood, Fla around the same time. Maracas and interesting clothing from Charles, Keith, Jack, and Ron McClure.\r\n
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    \r\n Default Re: Charles Lloyd Charles Lloyd Charles Lloyd Charles Lloyd!\r\n

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    \r\n Quote Originally Posted by Watsonp143\r\n View Post\r\n
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    I saw this concert package in Boston in \'68 or \'69. I was a big fan back then. I saw the band in Hollywood, Fla around the same time. Maracas and interesting clothing from Charles, Keith, Jack, and Ron McClure.
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    \nThat group also used to do the instrument switch thing. I think Keith Jarrett would switch to sax and Jack Dejohnette to piano.\r\n
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    \r\n Default Re: Charles Lloyd Charles Lloyd Charles Lloyd Charles Lloyd!\r\n

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    \r\n Saw Joe Henderson at the Vanguard in 1987 sat a few feet from the stage and felt the same way.
    \r\nI just started listening to Charles Lloyd in the last 6 months...Wow.I have been missing out.\r\n
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    \r\n Lloyd is scheduled to play at a festival down this way next summer — really looking forward to it. When I was a kid in the 50\'s I listened to a lot of Brubeck and Chico Hamilton. I really preferred that sound to the funky hard bop stuff my friend was always trying to get me to listen to. He called me up one day, "Hey, I\'ve got bad news — Chico\'s deserted you." Evidently he\'d recorded a new band with a new sound. The album was Drumfusion with Gabor Szabo on guitar and Charles Lloyd covering the woodwind slot. It was a revelation. My taste in jazz significantly changed and I made the decision to start playing tenor sax.\r\n
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    \n\r\n \nKritavi est déconnecté\r\n\n\r\n \r\n
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    \r\n Default Re: Charles Lloyd Charles Lloyd Charles Lloyd Charles Lloyd!\r\n

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    \r\n Quote Originally Posted by shotgun\r\n View Post\r\n
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    Lloyd is scheduled to play at a festival down this way next summer — really looking forward to it. When I was a kid in the 50\'s I listened to a lot of Brubeck and Chico Hamilton. I really preferred that sound to the funky hard bop stuff my friend was always trying to get me to listen to. He called me up one day, "Hey, I\'ve got bad news — Chico\'s deserted you." Evidently he\'d recorded a new band with a new sound. The album was Drumfusion with Gabor Szabo on guitar and Charles Lloyd covering the woodwind slot. It was a revelation. My taste in jazz significantly changed and I made the decision to start playing tenor sax.
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    \nWhere will he be playing?\r\n
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    \n\r\n \nIsle of Jazz est actuellement connecté\r\n\n\r\n \r\n
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    \r\n Default Re: Charles Lloyd Charles Lloyd Charles Lloyd Charles Lloyd!\r\n

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    \r\n Quote Originally Posted by Kritavi\r\n View Post\r\n
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    Where will he be playing?
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    \nAt the Opera House in Stonington, Maine, August 6th. Charles\' site says it will be the "Charles Lloyd & Jason Moran Duo"\r\n
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    \r\n Default Re: Charles Lloyd Charles Lloyd Charles Lloyd Charles Lloyd!\r\n

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    \r\n Quote Originally Posted by shotgun\r\n View Post\r\n
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    At the Opera House in Stonington, Maine, August 6th. Charles\' site says it will be the "Charles Lloyd & Jason Moran Duo"
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    \nThanks, August sounds really good right about now. Getting Stonington\'ed does not sound bad either.\r\n
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    \r\n Default Re: Charles Lloyd Charles Lloyd Charles Lloyd Charles Lloyd!\r\n

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    \r\n im always diggin my Cannonball Adderly Sextet on Jazz 625 videos with Lloyd...its always a gas to se the expression on Cannonball\'s face when Charles is takin a ride!!!\r\n
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    \r\n Default Re: Charles Lloyd Charles Lloyd Charles Lloyd Charles Lloyd!\r\n

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    \r\n Ok I am not knowledgable of this artist. Where to start? Great recordings?\r\n
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    \r\n Default Re: Charles Lloyd Charles Lloyd Charles Lloyd Charles Lloyd!\r\n

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    \r\n Has anyone listed to his double CD "Lift every voice" (2001, I think)? It\'s sublime! What I love in Charles\' music is what I call its "spiritual density". It\'s hard to explain, but the music goes well beyond the instrument and the technique, it speaks at a much deeper level.\r\n
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    Tenor: Selmer Mark VI, Ted Klum Focustone Standard Model 0.108" mpc, Rigotti Gold 3M reeds, Marc Jean ligature
    \r\nAlto: Yanagisawa AWO20, Lamberson Fmaj7 mpc, unfiled Select Jazz 2H reeds, Vandoren Optimum ligature
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    \r\n I saw Keith play soprano when he had the group with Dewey. He had a super snakey tone that was actually really great.\r\n
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    1. #1
      Distinguished SOTW Member Kelly Bucheger's Avatar
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      Default Charles Lloyd Charles Lloyd Charles Lloyd Charles Lloyd!

      Just heard the New Quartet, with Jason Moran, Rueben Rogers, and Eric Harland here in Buffalo -- right in front of him, about 20 feet away... Inspiring, astonishing, stunning! I had to remind myself to breath from time to time. 2011 is young, but it's gonna be hard to top this performance this year! Anyways...
      My BRAND SPANKING STILL HERE CD, • House of Relics • iTunes, Amazon, Bandcamp.
      Sakshama Link on a VIGwind Slant on a 10MTenney Berg on a VIPhil-tone Alto on a TH&C
      Website: What Would Mingus Do? • Jazz Blog: Harder Bop

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