A vast number of my researches reached a blind alley. Often I got answers on questions I never asked. Nevertheless I found some of these answers interesting enough to add to my records. Here is one:
W.J. Gronert
The original inquiry was to find out where E.A. Couturier got the knowlege to build saxophones. At the beginning twenties he was urgently asked by retailers to add the saxophone to his line of instruments. He didn't seriously consider that until 1922.
No matter of question in his development of saxophones he realized his very own concept of an extremly wide and consequently conical bored instrument. Nevertheless he must have built upon knowledge from other people.
I knew he maintained valuable contacts to Holton and York and had excellent connections to Conn early in the 20th century. And he knew William J. Gronert, Conn's factory manager, business manager and general manager around 1900 at least until the great fire 1910, which destroyed the Conn factory completely.
Here is a note written 1905 in The Music Trade Review:
"TRY TO SURPRISE C. G. CONN.
When Bandmaster Couturier was in Elkhart,
Ind., recently, he and W. J. Gronert attempted to
surprise C. G. Conn at his home, northeast of the
city, going there in a band wagon and two carry-alls.
The intended victim, however, had divised
a plot, and had fortified his house with a supply
of refreshments. After several selections had
been played by torchlight on the lawn, the musicians
were invited into the house and were
served by the host's two Japanese man-servants.
They also spent some time admiring the handsome
paintings that ornament the house. Couturier
was in Elkhart having some work done
at the Conn factory."
to be continued
W.J. Gronert
The original inquiry was to find out where E.A. Couturier got the knowlege to build saxophones. At the beginning twenties he was urgently asked by retailers to add the saxophone to his line of instruments. He didn't seriously consider that until 1922.
No matter of question in his development of saxophones he realized his very own concept of an extremly wide and consequently conical bored instrument. Nevertheless he must have built upon knowledge from other people.
I knew he maintained valuable contacts to Holton and York and had excellent connections to Conn early in the 20th century. And he knew William J. Gronert, Conn's factory manager, business manager and general manager around 1900 at least until the great fire 1910, which destroyed the Conn factory completely.
Here is a note written 1905 in The Music Trade Review:
"TRY TO SURPRISE C. G. CONN.
When Bandmaster Couturier was in Elkhart,
Ind., recently, he and W. J. Gronert attempted to
surprise C. G. Conn at his home, northeast of the
city, going there in a band wagon and two carry-alls.
The intended victim, however, had divised
a plot, and had fortified his house with a supply
of refreshments. After several selections had
been played by torchlight on the lawn, the musicians
were invited into the house and were
served by the host's two Japanese man-servants.
They also spent some time admiring the handsome
paintings that ornament the house. Couturier
was in Elkhart having some work done
at the Conn factory."
to be continued