I think since it appears to be done properly (published by Templeton, div. of Shawnee), maybe we can comment on the actual arrangement since there is now a video for us to see.
My first impression after listening to it, regardless if you agree with the issue of arranging a sonata for orchestra in the first place, is that it works as a version with orchestra. The video has poor sound and it is difficult to hear all the colors properly, and the orchestra seems to be struggling through much of the performance, but this could work in this medium.
The actual orchestration, unfortunately, is not what I would call mature writing. I think a lot of the character of the sonata, which could easily be captured with an orchestration, is lost or changed. This may be an issue with Ciccone not being properly familiar with the performance practice of the piano version, however. For instance, the third movement loses much of the "gaeity" quality and is quite heavy and too dramatic.
Another issue, though this is subjective on my part, is that I feel that the melody is too often passed between different instruments when the direction of the line does not support that type of color change. At the beginning of the second movement the melody is passed from the oboe to the clarinet, and then I think the horn. My thoughts about the beginning of the second movement is that the character has a distant, lonely feel to it and would work better with more of a monotonous timbre. I would probably have the entire beginning section with just strings, with maybe some woodwinds as part of the supporting figures. I would save some of the color from the orchestra until after the saxophone enters. If the saxophone is the first entrance of a melodic wind voice, then to me it helps to draw attention to the "lonely, distant" quality as if the saxophone is crying out all alone.
I really like some of the percussion, particularly the orchestral bells in the second movement, though I though they should have been used more sparingly.
Overall, though I do have issues with some of the orchestration, I do think this sonata can work very well as a "concerto". I wasn't sure at first how the type of melodic writing in the sonata would work with the larger medium, but this could be an exciting piece with orchestra.