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    Matty Bannond-98135

    Improvisation: A union of mind, body and music

    Improvising on the saxophone has transformed my life forever. It has awakened me to a completely new level of spirituality – hard words for me to type, as a rationalist. Improvisation is a religious revelation. It is meditation, red mist and the soul. Playing music without a plan showed me the full dignity of the human consciousness and the hot power of the mind. It made me question everything that had gone before, and opened up unlimited possibilities for everything that lay ahead. It very nearly never happened. I want to share my story, and my elation, about how it did. Somebody showed me how.

    When I was about 11, my parents made me start taking lessons once a week for 30 minutes, together with another kid. Our teacher, a clarinet player, would take us through the required pieces for the next grade exam. They were classical: The melodies felt stiff. I thought the saxophone was the stupidest thing on the planet, and I gave up around four years later. I don’t think I played the instrument at home even once.

    Matty Bannond Today 10:55 PM Go to last post
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    Berko

    What's Your Tenor Setup?

    Thread Starter: Berko

    Post Ur Setup \ My Setup: Tenor Keiwerth EX90 III Mpc : Super Tone master 6 * Lig : Orginal and FL Brass Plated

    Last Post By: hfrank 02-24-2017, 04:47 PM Go to last post
    FremontSax

    Leblanc Sax Serial Number Registry

    Thread Starter: FremontSax

    I have been searching the web for Leblanc Saxophones trying to put a serial number list together this is what I have found. Serial Number Type Year Source 542 Tenor Semi Rationale 1950's http://doctorsax.biz/LeBlanc_Rationale_Tenor.htm ...

    Last Post By: AMASAX Yesterday, 10:50 PM Go to last post
    John_Dikeman

    Post a clip here, free jazz only!

    Thread Starter: John_Dikeman

    Hello everyone, On another thread I've been trading free jazz clips with Jason Dumars and it occurred to me it would be cool to open a thread for members clips of only free jazz, free improvisation, new music, avant-garde, generally wacky ****! There are a number of players on SOTW that are...

    Last Post By: osloutah Yesterday, 07:25 PM Go to last post
    Rackety Sax

    Make Your Own Ligature

    Thread Starter: Rackety Sax

    I learned how to do this 30 years ago from Ralph Loomis, principal clarinetist in the U.S. Coast Band for many years. I'm not sure if he came up with this himself, but I think he did. A few bucks worth of supplies will create a lifetime's worth of ligatures (I think I'm still using the wax paper...

    Last Post By: Rackety Sax Today, 04:21 AM Go to last post
    keluitry

    What is your Yamaha set-up?

    Thread Starter: keluitry

    I know there are threads like this elsewhere - but what about one entirely devoted to Yamaha instruments? So, post your set-up!

    Last Post By: J.Max 02-24-2017, 04:11 AM Go to last post
  • My 25 guys - whom to imitate

    My teacher (Tevet Sela) made an observation in my last lesson. I told him with all the tech work we've done I can play fast but so what? Where will that go. So he suggested I look through my library and look at players I like. List why and perhaps what I want to learn from them. Heres 25 I came up with in about an hour. so my challenge is to listen to them and steal steal steal. feel , inflections, tech, licks you name it. and the compilation of that will be ME?

    1. Everette Harp Song Kisses down line. I like the grit, soul, tone , His inflections coming down to a chord tone.

    2. Art Porter Texas Hump Background real funky. His tone is too processed for me. Everette is better. Porter has great time sense and inflections. Tone too bright no warmth He sounds like a fatter Eric Marienthal

    3. Bob Mintzer Groovetown Great tone, his lines are right in the pocket clean. Uses the major and minor pent well , simple lines lays it right down

    4. Steve Coleman Oracle Love his core tone, no harsh. moves in and out of key easily

    5. Brandon Fields Gone but Not Forgotten Always like his volume swells and his vibrato . He opens his sound somehow

    6. Bob Berg The Search Great tone, brighter than Mintzer great background. fades in and out with his lines good at answering his lines

    7. Warren Hill Funky music white boy I like his song grooves, sound is thin and processed .

    8. Dave Sanborn Hideaway Love his tone and lines. He is the best at building a long long solo. for a pop groove

    9. Sonny Stitt Au Private I really like his tone but he puts in too much bop between phrases

    10. David Fathead Newman it was a very good year Very controlled tone, like a classical trained musician Pretty

    11. Justin Robinson The Challenge Good jazz tone lines

    12. Eric Kloss African Cookbook Nice raw feel jazzy fluid Coltrane influenced

    13. Gerald Albright Respect Yourself Really like this scoring , tunes, great tone, leaves space in lines

    14 Charlie Mariano Adagio for Oboe Incredible tone , very soulful, great control of phrasing

    15. Kenny Garrett After the Rain Distinctive tone pretty feel expressive phrasing

    16. Pat Caroll Interesting Jazz tone, great lines

    17 Kirk Whalum All I do Great tone and phrasing

    18. Grover washington all the Kings Horses Dark and expressive sound

    19. Charlie Parker All the things you are bad recording quality Great tone and lines for bop

    20. Phil Woods all the things you are. In your face tone very expressive

    21. Tom Scott Anytime anyplace Love his control of the the song nicest scored

    22. Bob Berg Arja Great tone, phrasing , lines distinctive tone

    23. Macao Parker Better get it in your soul Old school meyer tone. Good control of lines.

    24. Candy Dulfer Bird cool contemporary tunes, harder sounding smooth jazz tone good lines, good songs

    so from compiling this list (and I left out some of my heros Trane and Brecker to name two) I see that I am mostly at this point drawn to a soul time sound and phrasing and simplicity and logical development of pop type lines. My goal in this list isn;t to say one person is better than any other , just my impressions of what I might want to grab and put in my development. I'm glad my teacher had me do this K
    This article was originally published in forum thread: My 25 guys. started by Keith Ridenhour View original post
    Comments 5 Comments
    1. craigmultireedguy's Avatar
      craigmultireedguy -
      Well, you did say it's YOUR 25... I don't think anyone would mind.
    1. Keith Ridenhour's Avatar
      Keith Ridenhour -
      I found this process very useful. It really shined a light on my next steps, tone and phrasing for my lines. Almost more important than the cute sub V7 diminished scale lick I thought i had to learn. Its all about tone, melody and phrase development for me. And the guys who I listen to all seem to be in that direction. mY best. Pick your fav 25 and see where it leads you K
    1. Mark R's Avatar
      Mark R -
      23. Maceo Parker
    1. BrianMitchellBrody's Avatar
      BrianMitchellBrody -
      Why Imitate?
    1. 1saxman's Avatar
      1saxman -
      Learning how to play what you like to hear from others is how we all advance, because in the process it is altered by the fact that we are different people and it eventually becomes yours. You can listen to any player and hear things that came from someone before him. You do it yourself and probably don't realize that some of your things may have come from something you heard years ago but have now forgotten about - but its still there and pops out of your horn. Its just the way it goes; you hear something, you learn to do it and you start using it in a different way - that's how it all moves forward.

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    Belshoresdan

    Evaluating a Used Saxophone For Purchase (video)

    Yes.....I agree with all the above
    And thank you very much
    Don't want to get carried away
    but... Go to last post

    Belshoresdan 02-19-2017 06:42 PM
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