Okay, I got it! You'll need a MK VI tenor with no high F#, a 160/1 steel Berg and a #1 1/2 Rico Plasticover baritone sax reed. Naturally, you still won't sound just like Plas Johnson but at least you can brag on having his set-up.
"You fueel, I said rheuemmm, I need a rheeumm,"
"Does you dog bite?"
"No"
(dog bites the Inspector)
"I thought you said your dog did not bite!"
"It's not my dog"
No can do. Your score is melody only, looks like. Bedde's is a different score for four horns, if I'm not mistaken, and the section in question is not included in yours.
It appears to be total rubbish. The melody is in G minor, but the music has no key signature and the chords seem to be in F# minor. But apart from that, what is the problem?
Pete, you're referring to the chart that JayKay posted, right? If so, yeah, the chords appear to be rubbish. The melody on there is G minor, and the first chord should be G minor (next chord should be Eb7 I believe--not A7). But the melody itself appears to be correct.
I've always played this tune in E minor (F#m on tenor), but I've never read it off a lead sheet. I just copied the Plas Johnson version off the recording.
Could it be for three altos and a tenor? Is the top alto part a written out , simplified and shortened version of the solo break? It looks to me like the end of the page is modulating back to concert g minor?
To all who have replied thus far - if you read the original post, it is quite clear that the OP's request is for someone to RECORD the section in question and post it back to this thread, ostensibly, in order for them to hear it. That is part of the reason I brought up the free software that would allow the OP to key in the (at the time unknown) problem and play back to hear the notes and rhythm. Using musescore, OP could speed up or slow down the tempo, whichever and whenever, to HEAR what those bars are supposed to sound like.
I'm still not sure what explanation is expected because the whole tune is swung with dotted eighths and sixteenth notes. Then, it's just a matter of timing to bring all the parts together, imho... (of course, musescore can facilitate all four parts in order to get an aural understanding of the entire score from measure 42 on, as well.)
I'm aware that there are other software apps that could do this just as well, musescore just happens to be the one I use and best of all, it's FREE!
To all who have replied thus far - if you read the original post, it is quite clear that the OP's request is for someone to RECORD the section in question and post it back to this thread, ostensibly, in order for them to hear it.
That wasn't clear at all to me. I assumed it was a request for a link to a recording, but without knowing what the specific problem is we still cannot give any very useful help.
That is part of the reason I brought up the free software that would allow the OP to key in the (at the time unknown) problem and play back to hear the notes and rhythm. Using musescore, OP could speed up or slow down the tempo, whichever and whenever, to HEAR what those bars are supposed to sound like.
However people are often misled by MIDI playback of sheet music unless they understand quantising. Would the dotted notes be interpreted exactly as dotted, or are they a "shortcut" method to notate what should be a triplet feel, which is quite common.
The digital quality of the music sheets I got was also not so great.
I have tried to enhance the quality of every page (4 in total) in Photoshop.
But the size per page is more than 3MB, and had trouble attaching these 3+MB files yesterday.
So what I did was resize them in Photoshop to make them smaller.
I didn't check to see what the quality was after resize and uploaded them yesterday.
The part I am having trouble with is on page 3, the first bar starting from measure 41 to the end of page 3.
The 2nd, 3rd and 4th bars don't look that difficult to me.
I would appreciate if maybe some of you can make a recording of how this part is played or maybe a step-by-step recording per measure so I can learn it :bluewink2:
That is if it is not too much to ask....
Try playing the line using eighth notes and the written pitches. The written rhythm is the arranger's attempt at getting the correct "bounce". How you interpret it is up to you.
Why not just find the original on youtube, either play as is or slow it down then just work it out by ear?
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