Well, I realized this horn didn't really need more exposure or to be reviewed, but I couldn't help myself.
Link to the review - http://everythingsaxophone.blogspot....-reviewed.html
Well, I realized this horn didn't really need more exposure or to be reviewed, but I couldn't help myself.
Link to the review - http://everythingsaxophone.blogspot....-reviewed.html
A Complete Approach to Sound for the Modern Saxophonist - Learn more or get it on Amazon, Barnes & Noble, or get the digital copy at Payhip.
www.everythingsaxophone.blogspot.com - blog on sax technique, jazz improvisation, and reviews.
Preachin' to the choir, brother.
64K Tenor - FocusTone Standard .105
"A loud mistake is better than nothing." -WD
I've never had the pleasure of playing one. Would really like the opportunity to do so. Anyone in the Tampa Bay area have one I could try out?
Ska Ska Ska Ska Ska
Very nice review, Ben. To quote you in your review: "One of the really cool things I have found is no matter what acoustical space I'm playing in or what reed I'm using I feel like I get a full and vibrant tone when listening from behind the horn (while playing)."
I have the same exact experience with mine. No need to look for a wall to feel how the horn really sounds and responds.
Tenor:
Borgani Vintage, Ted Klum Focustone Standard Model 0.108" mpc, Rigotti Gold 2.5 Strong reeds, Marc Jean ligature
Selmer Mark VI, Ted Klum Focustone Handcrafted 0.108" mpc, Rigotti Gold 2.5 Strong reeds, Brancher ligature
Soprano: Yamaha YSS 475 soprano, Lamberson Fmaj7 mpc, Vandoren Java green 2.5 reeds, , Vandoren Optimum ligature
I totally agree with that. I would add that playing with a hard rubber piece on a VI increases the overall feel and vibrations. Personally, I'm able to feel every note throughout my body with a hard rubber piece. Give it a try (for a week, not just a practice session). And if you feel like you don't get enough projection, try one of the Rice H ligs. That should fix the problem! I put one on my EB 7 and it had more pop and presence than my Lawton.
Tenor:
Borgani Vintage, Ted Klum Focustone Standard Model 0.108" mpc, Rigotti Gold 2.5 Strong reeds, Marc Jean ligature
Selmer Mark VI, Ted Klum Focustone Handcrafted 0.108" mpc, Rigotti Gold 2.5 Strong reeds, Brancher ligature
Soprano: Yamaha YSS 475 soprano, Lamberson Fmaj7 mpc, Vandoren Java green 2.5 reeds, , Vandoren Optimum ligature
buddy lee - If you're ever in the Rochester, NY area, I'd be more than happy to let you try mine
Ben - Sounds great, man! What's the serial on yours?
Selmer Mark VI 141*** tenor; Brilhart (unmarked Streamline) Ebolin 6/HR Berg Larsen 100/1 SMS/James Houlik; Rico Jazz Select 3H Filed
Yamaha YAS-23 alto; Dukoff D8; Vandoren AL4; Rico Jazz Select 3S
A Complete Approach to Sound for the Modern Saxophonist - Learn more or get it on Amazon, Barnes & Noble, or get the digital copy at Payhip.
www.everythingsaxophone.blogspot.com - blog on sax technique, jazz improvisation, and reviews.
A Complete Approach to Sound for the Modern Saxophonist - Learn more or get it on Amazon, Barnes & Noble, or get the digital copy at Payhip.
www.everythingsaxophone.blogspot.com - blog on sax technique, jazz improvisation, and reviews.
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