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david jerry also can make you a new NY that plays like you describe.

I hope the add copy is meant to be funny. "Visualize. Dream, the mysteries of the universe unfold at your fingertips as the soul of music is born."
It's like a guided visualization hypnotism thingy...

I agree that mk viis can be good horns. the ones without engraving is because the engravers went on strike and were made kind of early on.
mk vii tenors take more air and are louder harder sounding...

i have a nickle plated conn alto but slightly out of your serial number range. mine is a 154 or so.
it was army surplus and just needs pads. tone is killer, intonation is a little questionable.

tall order but worth a shot. never seen a used one for sale before but there has to be a first some time.

yea these are really great jazz books. I'm not a big fan of "jazz education" and most of the material on the subject is totally useless but these books are the bomb.
the first one is about giant...

you guys might be interested in the results of this tenor sound test i made.
the 3 horns:
42xxx selmer SBA
62xxx Mk vi
Yani 9937

two songs one faster one solf ballad.
all otto link...

Hi,
I wanted to do a follow up to the earlier post basically because those lessons never get to the making music stage.
without making music what's the point?
this is basically how i was taught to...

this is a quote from Dave Leibmans book "Developing a personal Saxophone sound" which is his book about the Allard method.
Dave Leibman actually talked to Joe Allard about this where hakukani and...

yes this is it. if you believe the allard method ideas then you are creating resonant resistance with your vocal chords. it feels just like singing because it is just like singing.
the vocal chords...

your vocal chords create resonance that interacts with the resonance or sonic preasure created by the reed.
i do feel like i've said this quite a number of times now.
the other issue is that you...

another aspect about how the thing about alway looking for "the thing to do" with your tongue or whatever is so false is this:

operation of you vocal chords takes place on a level that is totaly...

this method is about bringing your vocal chords on board when playing the saxophone and nothing else.
people who claim that this method is realy about something else are simple wrong and don't know...

Guys; again at the risk of beating a dead horse.
you guys are going in the wrong direction with all the tongue position stuff.
AND the most important point is, when you go in this wrong direction...

i'm afraid but not sure that you might have to accept that you haven't been doing the exercise at all but rather a falsified version of it. if you were using pressure on the reed to change the pitch...

there you go, it doesn't have anything at all to do with dimensions.

the vocal chords ascilate like strings. its resonance frequencies acting on the reed frequencies. (i think ?)

Black Obelisk could you PLEASE post a bit more about the "reed grabbing".
everything joe taught had some conceptual framework that went with it.
whats the theory and are there excercises...

the energy comes from air -- the pressure is air pressure.

Yea Black Obelisk makes the most important point that could be made here.
the exercises are something that in the begining seem imposible but you try to do them and basically fail.
the main point...

interesting discussion
I don't know if this helps or not but i can weigh in on it. (i'm not the greatest player in the world -- duhhh)
cold i can only play about a 6th (b concert down to a...