The Hollywood mouthpiece I got from Phil that I use on tenor is incredible. It's so incredibly versatile, and it doesn't get in the way of me wanting to create the sound that I want on tenor. I went up to Phil's place to try them out, and honestly the consistency between his mouthpieces is really incredible. What I mean is, I tried several 7* Hollywoods and they were so similar you would have sworn they were made by machines, but Phil hand crafts and finishes them. Compared to the Jazz model, which I also tried side by side with the Hollywood, the Jazz was a little too husky for my tastes, and it's definitely darker. The Hollywood is still on the slightly dark side, but can go bright if you want it to. All in all, you can't go wrong with the Hollywood, and it goes great with my Barone Vintage tenor.