G-dawg
02-18-2007, 01:05 AM
OK - so this is a VERY informal and not tremendously scientific post about unison saxophones.
I normally play on a VI. My set-up is a Ponzol M2 with Ultimate Lig and ZZ reeds.
I tried out the following horns at the TMEA convention in San Antonio this past weekend:
Unison
P.Mariat
A. Winds
Selmer
Yamaha
Jupiter
Cannonball
No Keilworth... :(
I just played whatever was on display without really looking at specific model numbers, finishes, etc. I spent about 5-10 minutes on each horn. I did not have a tuner. It was on a loud convention floor. The horns had been handled and played by many people, including high school and younger students. (I am pointing this out because it is possible that the horns on display needed some adjustments from being handled.)
I played the full range of the horn, experimented with altissimo, tried matching overtones, then just played.
For the money - the unison models were the best ones there. There were several to choose from - and all of the horns played with a consistent tone top to bottom. Intonation seemed very good. Response was excellent. My only complaint was the feeling of the palm keys - they felt very spread out.
The Selmer and Yamaha horns played outstanding; no, the unison does not stack up against the selemer or yamaha. P. Mariat was nice, too. Those horns are much more expensive, and understandably so.
I am considering getting a unison tenor as a back-up horn or for times when I have an outdoor gig. I play alto very infrequently, but the quality of the horn for the price would be excellent for my needs.
My 2 cents...
I normally play on a VI. My set-up is a Ponzol M2 with Ultimate Lig and ZZ reeds.
I tried out the following horns at the TMEA convention in San Antonio this past weekend:
Unison
P.Mariat
A. Winds
Selmer
Yamaha
Jupiter
Cannonball
No Keilworth... :(
I just played whatever was on display without really looking at specific model numbers, finishes, etc. I spent about 5-10 minutes on each horn. I did not have a tuner. It was on a loud convention floor. The horns had been handled and played by many people, including high school and younger students. (I am pointing this out because it is possible that the horns on display needed some adjustments from being handled.)
I played the full range of the horn, experimented with altissimo, tried matching overtones, then just played.
For the money - the unison models were the best ones there. There were several to choose from - and all of the horns played with a consistent tone top to bottom. Intonation seemed very good. Response was excellent. My only complaint was the feeling of the palm keys - they felt very spread out.
The Selmer and Yamaha horns played outstanding; no, the unison does not stack up against the selemer or yamaha. P. Mariat was nice, too. Those horns are much more expensive, and understandably so.
I am considering getting a unison tenor as a back-up horn or for times when I have an outdoor gig. I play alto very infrequently, but the quality of the horn for the price would be excellent for my needs.
My 2 cents...