Gaia Passaround Reviews

[Swampcabbage]

Hi everybody,

I know this is late coming (I passed off the piece to the next person on the list soemtime last week) but things have been very busy for me; and continue to be.

Whatever.

So, here is some brief impressions of the Gaia.

Look, finish, craftsmanship, packaging, and presentation are all immaculate as most of us are aware. So it needs no further commentary.

Design. It has the large chamber (as is the case with all of his mouthpieces). A nice rollover baffle and rounded or carved sidewalls. leading into a very deep chamber - it can resemble a bullet chamber to the mnaked eye. However, given the finishing and chamber size, I prefer to call it a drop. Interesting design feature is that there is a defined line where the floor (baffle) and the sidewalls meet. Most Link like designs feature a smooth curve at this meeting point. However, I feel this subtle feature helps bring focus to the Gaia while maintaining the richness of the sound.

Sound. Well, I am inpressed. Does it outplay my Florida Links? Well, in a word, mostly. More projection, better focus, smoother transtions into the altissimo and a very consistent sound from top to bottom. And lot's of power. It is a very rich sounding piece without soem of the tubby feelings I get from Links. I felt like I could really live with this piece. ANd had to talk myself out of liking it so much. Then again, it is rare that I have anything truly bad to say about good pieces. So, am I going to sell my Florida Links for a Gaia? I have considered it.

I played it on a few gigs. A rock gig and a jazz gig. I found it to be equally at home with both. I'm sure it would stand up with no problems in the other settings I play in.

Intonation was spot on.

When comparing it to the Kali I found that it was a tiny bit slower in the corners (switching between ascending and descending tonal directions - however, it was much quicker than my links with more focus in the notes) and didn't have as much edge, which sometimes I really like and feel I need.

I did have the chance to run a blindfold test with another SOTW member here. They had a very hard time deciding between my favorite Florida, no USA, 6 Link (original facing), the Gaia (7*), and the Kali (8). They could certainly tell the difference, but cited that each one maintained a distinct and positive quality or variey of qualities. The Gaia, though, came out a little ahead of the rest though. (I'd also like tot think that perhaps I helped make each piece sound pretty good in their own right though).

Overall, I really feel this is a great playing piece. I think Theo has really tried to do something new and transcend or restate some of the traditional designs and their modifications in order to provide a quality and consistent product.

I will restate the importance of personal preference when it comes to these things. This piece will not give you the chops you cna get from practicing. No piece will. It will not replace in any way shape or form your need for long tones, learning tunes, dexteriety or anything. On the contrary, a good piece, any piece you like, may help you to feel more comfortable with how you play the horn, but, by an increase of woodshedding, will help you pinpoint even more problem areas in your own playing (the more you play, the less you know). That said. NO price tag will fix anything for you. But, something you really have fun playing, can help you take the ride more often and longer.

I could definitely enjoy the ride on the GAIA. For now though, I have plenty of other pieces to love. imho.

Sorry this is so brief and rushed. As I said, things have been hectic and busy for me lately. I just felt something needed to be posted.

Thank you all and a special thanks to Spooner for facilitating such a great service to the community.

[Kritavi]

You call that rushed? I'll show you rushed.
I had the piece next.

Yes the look etc is outstanding, it is a very expensive mouthpiece and in every respect it looks like one.

I played it very little as I was out of town for much of my trial period. I'm an HR guy anyway and have settled for about three years now on one particular piece, oh the joys of monogamy with the right partner...
so this is not my thing particularly...

I have tried the Kali and Parvatti as well and this is my clear favorite.
it is a great piece and it will be the right piece for some serious players, it is a new extension of the STM with its own thing going on. maybe not for purists but probably preferable to many of the similarly priced MONSTER KILLER BEAST pieces we so often see for sale. In Theo's case the money the piece costs is not pure speculator markup, he has put considerable money, time and expertise into developing a fine product line exclusive as it may be.

I am probably more interested in a mpc's ability to play softly than loudly. I value resonance and the ability to play an effortless whisper soft low Bb that totally fills the room. I suppose Ben Webster and Archie Shepp are two of my biggest influences tonally. This is not quite the right piece for that (for me) although it is pretty good. I think it will satisfy most players criteria very well. Other than that it was very nice fat and rich throughout the range.

Thank you Theo and Spooner for the opportunity to try this fine piece.

[magical pig]

My turn.

As with the Floridated Link review, I recorded two clips.

THIS (http://www.soundclick.com/util/getplayer.m3u?id=7851247&q=hi) is the Gaia and THIS (http://www.soundclick.com/util/getplayer.m3u?id=7851246&q=hi) is my main piece, the Phil-Tone Custom. I hope the samples will speak for themselves. Played on RJS 3S unfiled. Please let me know which one you prefer.

The visual aspect has already been mentioned so I won't cover this except by saying it is a gorgeous piece in a fancy package.
I especially liked the mouthpiece zipper pouch. I'll probably buy one separately as it is available from Theo's website (http://theowanne.com/) ( for only $20 :twisted: )

Now the important part. How does it play? Well, it plays GREAT! Almost too good. Let me explain : when I started playing the mouthpiece I was struck by how similar it was to Brian Powell's work.
I've come to realize I'm not a fan of Brian Powell's concept (this should be a good statement to put my judgment in perspective) although I realize the skill involved in crafting such pieces and how someone would love this kind of work. But IMO it lacks some of the grit, quirks and dirtiness I need in a mouthpiece. I hope that makes sense.

Sound wise, I missed this ringing quality of the various STMs I had a chance to play on. You could probably call it stuffiness too. The Gaia's IMO privileges the higher midrange as opposed to, let say the Floridated Link I recently tried which favored the mid to lower mid. Theo Wannes' piece definitely has a more modern flavor to it. Still, it has this "woosh" sound all over the range that makes it warm and pleasing to the ears.

It has lots of power and his definitely one of the most even mouthpieces I've ever tried if not THE most. Very easy to play from top to bottom. It also felt too free-blowing for me. Here again, I'm sure it will feel just right for most people but I didn't have enough to push against. Did I say it has LOTS of power. This mouthpiece is LOUD!!!!! Louder than anything I've played on. It also has an amazing dynamic range - more than I feel comfortable with.

If I had to compare it to the Links I have played, I would have to admit it is among the best. There is IMO a level of quality above which choosing the best comes down to personal preferences. This was not quite IT for me. A darker shade of this mouthpiece would probably be just right.
I also wonder if such a mouthpiece is too good for my few years of playing - the dynamics for instance are great but it felt like learning to drive on a Lamborghini... Hope this also makes sense... I think the resistance issue may also be due to my inexperience...

Anyway, very interesting mouthpiece, certainly one of a kind... It made me feel like trying the Ambika.

Thanks for the passaround!
Victor.

Edit : just a quick note : I was practicing some II-V lines chromatically and I realized how easy it was to jump from a note in the lower register to one in the higher register and vice-versa, which would concur with what swampcabbage mentioned.


http://i346.photobucket.com/albums/p412/victorptomp/DSC_746h0.jpg

http://i346.photobucket.com/albums/p412/victorptomp/DSC_7464.jpg

http://i346.photobucket.com/albums/p412/victorptomp/DSC_7461.jpgIt is water inside...

http://i346.photobucket.com/albums/p412/victorptomp/DSC_7460.jpg

[arkansasRed]

My turn.

As with the Floridated Link review, I recorded two clips.

THIS (http://www.soundclick.com/util/getplayer.m3u?id=7851247&q=hi) is the Gaia and THIS (http://www.soundclick.com/util/getplayer.m3u?id=7851246&q=hi) is my main piece, the Phil-Tone Custom. I hope the samples will speak for themselves. Played on RJS 3S unfiled. Please let me know which one you prefer.

The visual aspect has already been mentioned so I won't cover this except by saying it is a gorgeous piece in a fancy package. (I will edit this post with pictures tonight though)
I especially liked the mouthpiece zipper pouch. I'll probably buy one separately as it is available from Theo's website (http://theowanne.com/) ( for only $20 :twisted: )

Now the important part. How does it play? Well, it plays GREAT! Almost too good. Let me explain : when I started playing the mouthpiece I was struck by how similar it was to Brian Powell's work.
I've come to realize I'm not a fan of Brian Powell's concept (this should be a good statement to put my judgment in perspective) although I realize the skill involved in crafting such pieces and how someone would love this kind of work. But IMO it lacks some of the grit, quirks and dirtiness I need in a mouthpiece. I hope that makes sense.

Sound wise, I missed this ringing quality of the various STMs I had a chance to play on. You could probably call it stuffiness too. The Gaia's IMO privileges the higher midrange as opposed to, let say the Floridated Link I recently tried which favored the mid to lower mid. Theo Wannes' piece definitely has a more modern flavor to it. Still, it has this "woosh" sound all over the range that makes it warm and pleasing to the ears.

It has lots of power and his definitely one of the most even mouthpieces I've ever tried if not THE most. Very easy to play from top to bottom. It also felt too free-blowing for me. Here again, I'm sure it will feel just right for most people but I didn't have enough to push against. Did I say it has LOTS of power. This mouthpiece is LOUD!!!!! Louder than anything I've played on. It also has an amazing dynamic range - more than I feel comfortable with.

If I had to compare it to the Links I have played, I would have to admit it is among the best. There is IMO a level of quality above which choosing the best comes down to personal preferences. This was not quite IT for me. A darker shade of this mouthpiece would probably be just right for me.
I also wonder if such a mouthpiece is too good for my few years of playing - the dynamics for instance are great but it felt like learning to drive on a Lamborghini... Hope this also makes sense... I think the resistance issue may also be due to my inexperience...

Anyway, very interesting mouthpiece, certainly one of a kind... It made me feel like trying the Ambika.

Thanks for the passaround!
Victor.

Edit : just a quick note : I was practicing some II-V lines chromatically and I realized how easy it was to jump from a note in the lower register to one in the higher register and vice-versa, which would concur with what swampcabbage mentioned.

You sounded great on both pieces. I liked you best on the GAIA.

Red

[magical pig]

You sounded great on both pieces. I liked you best on the GAIA.Thanks a lot!! You liked me best on the GAIA? Hmmmm....

Victor.

[Buck Laughlin]

You sounded great on both pieces. I liked you best on the GAIA.Thanks a lot!! You liked me best on the GAIA? Hmmmm....

Victor.

I liked the Gaia sound the best also, but that's very subjective. Which sound did YOU prefer?

You did sound more comfortable on the Phil-Tone, and a little breathy (tentative?) at times on the Gaia. You might want to spend some more time with the Gaia before you send it off to the next tester.

[magical pig]

I liked the Gaia sound the best also, but that's very subjective. Which sound did YOU prefer?

You did sound more comfortable on the Phil-Tone, and a little breathy (tentative?) at times on the Gaia. You might want to spend some more time with the Gaia before you send it off to the next tester.I was more comfortable on the Phil-Tone but I've been playing it for much longer. How long can we keep the piece?

Victor.

[Pete Thomas]

My turn.

As with the Floridated Link review, I recorded two clips.

THIS (http://www.soundclick.com/util/getplayer.m3u?id=7851247&q=hi) is the Gaia and THIS (http://www.soundclick.com/util/getplayer.m3u?id=7851246&q=hi) is my main piece, the Phil-Tone Custom. I hope the samples will speak for themselves. Played on RJS 3S unfiled. Please let me know which one you prefer.



Wow, what an incredible difference - not just in sound but in the way you respond to different mouthpieces. I would not have thought the same player would be able to demonstrate such a great difference in equipment. I'd like to hear that Phil-Tone compared with other mouthpieces though. Brilliant.

[magical pig]

Wow, what an incredible difference - not just in sound but in the way you respond to different mouthpieces. I would not have thought the same player would be able to demonstrate such a great difference in equipment. I'd like to hear that Phil-Tone compared with other mouthpieces though. Brilliant.
The GAIA is a different kind of beast - unlike any piece I've played before.

As for some more comparison clips, check this out : http://forum.saxontheweb.net/showpost.php?p=1183006&postcount=14

Victor.

[squeak]

Much too modest, Victor. IMO, your playing deserves any mouthpiece you want. Granted, this is coming from someone who buys gear in frustration over not having enough time for practice. Anyway, I think you nail it in your own assessment. Your tone on the Phil-Tone has a grit and a range that is lacking with the Gaia. I much prefer your sound(s) on the Phil-Tone. Only, you can judge whether it actually reflects on the Gaia or is a result of your being used to the Phil-Tone and having worked said quirks into your playing in a positive manner.

[magical pig]

Much too modest, Victor. IMO, your playing deserves any mouthpiece you want.Well, I don't know about that. For instance, when so many people love and praise Brian Powell's work and I don't think much about it, I have to wonder if I'm not missing something.

I've added pictures shot by my lovely wife for us. :D

Victor.

[Grumps]

I'd like to hear that Phil-Tone compared with other mouthpieces though.
I would too. If only to answer the question of whether I simply prefer the Gaia or really, really don't like the Phil-Tone.

Thanks for taking the time Victor. Great playing!

[magical pig]

I would too. If only to answer the question of whether I simply prefer the Gaia or really, really don't like the Phil-ToneI understand now, you all have stocks in Theo Wanne's company and you want me to shell out $775!!! IT'S A CONSPIRACY!!! :twisted:

[Honeyboy]

I'm going to have to agree. You sounded wonderful on that Gaia.:D

[squeak]

I understand now, you all have stocks in Theo Wanne's company and you want me to shell out $775!!! IT'S A CONSPIRACY!!! :twisted:
It is an invasion of the sound-snatchers.:shock:

[Swampcabbage]

The thing that I have noticed about Theo's pieces is that they are so even for me that I had to adjust to adding my own character instead of relying on the character of the mouthpiece for me to work around. That said. I admit, I liked the Gaia. Sorry. ;)

[Leon]

Another vote for the Gaia, and no contest in my opinion.

[Nefertiti]

I like the Gaia much better.

[elguapo]

I was number 2# on the second Gaia passaround list and have just sent the mouthpiece on to the next in line. My experience is very much the same as Swampcabbage. I've tried the Kali and the Amma before and IMHO the Gaia is the best of the three. It plays even through out the range and is every bit as powerful as the Kali. The Amma had too much buzz and a hollow core to me, the Gaia is very fat in this regards. I asked Spooner about the differences between the Amma and the Gaia. He said that the Gaia has a shorter baffle and slightly smaller chamber. I think this helps give the piece and nice core to the sound. The Gaia is very versatile and could cover every gig situation, including R&B. My main piece is a Ted Klum focus tone 7*. The Gaia and TK are very very close in sound, with the TK having just a slight tad more resistance. FWIW, my band preferred the sound of the Gaia over my TK. :)

[pneumasax]

Ok, OK, ok, Another vote for the Gaia. Sorry. :shock:
And I have no stock in the company. :D

[magical pig]

Ok, OK, ok, Another vote for the Gaia. Sorry. :shock:
And I have no stock in the company. :D :crybaby:

Victor.

[arkansasRed]

Ok, OK, ok, Another vote for the Gaia. Sorry. :shock:
And I have no stock in the company. :D :crybaby:

Victor.

Hey Pig, you still thinking about that GAIA? Are you dreaming about it? Do you wish you had it with you there now?

Your did sound better on that piece!!!!!!!!!!!!!

Go For It.......

Red

[magical pig]

Hey Pig, you still thinking about that GAIA? Are you dreaming about it? Do you wish you had it with you there now?

Your did sound better on that piece!!!!!!!!!!!!!

Go For It.......

Red :D :D :D

I still have the piece FYI - I will have to send it tomorrow to the next in line though... We'll see how it feels to come back to the Phil-Tone after these few days on the Gaia. I'm discussing the Ambika with Matt (spooner) through emails but if I ever decide to go for one of Theo's mouthpieces, it will have to wait for quite a while until I gather the $$$.

Like I told Matt, I was one of the detractors of Theo's high $ prices. Not so much now that I've tried one of them. Still a lot of money but it's a great mouthpiece.

FWIW, I also liked Morgan Fry's "Floridated" Link very much. Not quite as loud and dynamic but more in the ball park of the sound I'm looking for... (I can't wait for an hypothetical Ambika passaround if it ever becomes a reality)

Victor.

[arkansasRed]

This Sax stuff sure is tough isn't! Horns, mouthpieces, reeds...... on and on. You've got to be crazy to do this stuff. It sure is fun and has been calling me for over 50 years now. Oh well, I'll be more prepared for the next life. I should be the Coltrane of 2095.

Red

[arkansasRed]

You've got me thinking about a GAIA now. I've taken the hook and should get to try one someday. Oh no, here I go again.

Red

[magical pig]

This Sax stuff sure is tough isn't! Horns, mouthpieces, reeds...... on and on.Not having a lot of money helps! :)

Victor.

[saxphil]

I'm going to have to agree. You sounded wonderful on that Gaia.:D

Looking forward to your assessment Honeyboy. :)

[tenor71363]

I just received the Gaia in the mail yesterday. Once I get to the palm keys, I am encountering resistance and my sound is stuffy. It's like the sound isn't projecting anymore. The volume is almost cut in half. I usually play on an 8 so I am wondering if this 7* is too small. The mid range sounds fine.

[magical pig]

I just received the Gaia in the mail yesterday. Once I get to the palm keys, I am encountering resistance and my sound is stuffy. It's like the sound isn't projecting anymore. The volume is almost cut in half. I usually play on an 8 so I am wondering if this 7* is too small. The mid range sounds fine.What reed are you using?

Victor.

[tenor71363]

I solved the problem with a different reed(ZZ 3's). What was I thinking?!?!? It plays well now. I cannot decide which one I like better, the Barone Hollywood or the Gaia. I wish the Gaia was a size 8. They are very similar. I'll record something tomorrow. I want to spend another day on the Gaia.

[magical pig]

I solved the problem with a different reed(ZZ 3's). What was I thinking?!?!? It plays well now. I cannot decide which one I like better, the Barone Hollywood or the Gaia. I wish the Gaia was a size 8. They are very similar. I'll record something tomorrow. I want to spend another day on the Gaia.Do you also have a Barone Jazz? I'd like to hear it in a comparison as well if you do.

Victor.

[tenor71363]

I did have one, but I sold it 2 weeks ago. I purchased it when I ordered the Hollywood mouthpiece so I could get familiar with Barone mp's prior to the Hollywood arrival.

[Mike F]

As a matter of interest, is the facing on the Gaia done by hand? It looks from this photo as if it is, but I thought that all the facings on Theo's pieces were CNC machined.

[tenor71363]

It looks CNC'd to me.

[monkmydear]

Sorry about that...
My vote for the Gaia. No doubt.
:):)

[Spooner]

It looks CNC'd to me.

Every mouthpiece has the CNC machine put the initial facing curve on--to an extremely high tolerance and precision.

After the machining process, every mouthpiece gets the facing curve checked and adjusted (if need be) by hand. There will always be some variation in any manufacturing process.

The best way to guarantee success and repeatability is to design your process to eliminate as many of those variations as possible (building the quality into the process), and then be incredibly tenacious about pursuing anything that you can't build in (yet). Quality is always #1. No exceptions.

[Mike F]

It looks CNC'd to me.

Every mouthpiece has the CNC machine put the initial facing curve on--to an extremely high tolerance and precision.

After the machining process, every mouthpiece gets the facing curve checked and adjusted (if need be) by hand. There will always be some variation in any manufacturing process.

The best way to guarantee success and repeatability is to design your process to eliminate as many of those variations as possible (building the quality into the process), and then be incredibly tenacious about pursuing anything that you can't build in (yet). Quality is always #1. No exceptions.

Thanks for the clarification Spooner. I only ask because I have seen 4 of Theo's mouthpieces now and none of them showed any sign whatever of any hand finishing on the table or rails, unlike this Gaia which has been sent out on the pass around.

[Nefertiti]

I posted a review and a clip of the Gaia on my site. You check it out here (http://www.neffmusic.com/index.php?option=com_wordpress&p=198&Itemid=25). I really really liked this piece. It was my favorite of all the Wanne pieces I have played so far. As soon as I save up enough money I plan on getting one of these. Great piece!

[Eye Kwubeck]

Steve, the piece sounds great, it really DOES sound like a Florida Link, but perhaps a bit more full. I enjoyed your clip, you're an incredible player and it seems like you could do anything you want on that hornt. I'm curious, could you post another clip on the GAIA of you really filling it up and playing some kind of ballad so we can hear the size of the tone a little better?

[Perry Cobb]

I think you sound better on your main piece. I can hear the potential in the Gaia though. However, it sounds to me that you have more control with your main piece. probably due to the fact that your used to it. just my opinion. You sound good on both pieces, btw.

[Turnaround]

Hey Nef, you sound great!

It did sound like the piece had a little more closed sound on the low end. Did you notice any sort of restriction down there? The sound was nice, but not as open as the range above low F.

[Blueskiestenor]

Well, I guess I'm up next.

I'm writing sort of a preliminary, but I really dont' know if I'll get to writing a second part.

I just got it today, and have played with it for about the last 2 hours (in between some emailing).

The first thing I noticed was the precision and the CNC'ing (besides there being a lot packing peanuts in the box). It's very nicely cut. The facing is amazing. Rails are very, very thin. Just astonished at the work that went into this. But, people have already commented on this so, I'll leave it at that.

The response is very nice. I pulled out one of my Orange Box 4's, and tried it. It wasn't really responsive, but, for a quick try out, I pulled out a Blue Box 3 and it blew very clearly (and not to bright, as I would expect from a Blue Box). Next I went to get a suitable Orange Box reed and cut some on it. It really improved the tone (that is, over the Vandoren). I guess the cut I made would make it a bit like a Java, more rounded heart.

But, back to the response. Good resistance, and not too much. And you can get quiet with this piece and a good reed. It doesn't take a whole lot of getting used to. The volumes are great. You can really dig into the piece with

As for tone. I like it. Very warm, fat. Overtone, but not too many. It you focus the air right, you can say it's Trane-ish in a way (thinking of Satellite, with the crescendos at the start of the head). The low volumes can get kinda airy if you spread your air. If you focus your air, it gets really crisp/focused, yet really warm too. I don't think there is a way you can get too unfocused of a tone with this mouthpiece, unless you really spread the air stream.

The ligature, I really like, though I'm not into the kinda hype that says that certain material give certain sounds and stuff, because I just assume that the little difference that it makes, if any, can easily be played through. For me, the lig plate coming in different materials doesn't make much sense to me, but oh well. Only one was included and it's not a big deal. However, the style of the ligature is good, slip reeds in and out really quickly if you need.

In total, the mouthpiece is very Linkish, and has that sound that you expect (though, I've never played a Florida). Unfortunately, I'm not equipped to make a recording. I did thoroughly enjoy playing this piece thus far and I would love to have one of these.

It could be the end of the road for many players, as far as that tone that they want (but then, again, it may not be). It is not magic or the holy grail but if a focused, warm, Link-ish vibe is what you're wanting, then it might fit you. For me, personally, though, I don't think it is worth 775.00 (although the craftsmanship and machining that went into this is). I think that a more viable option for me, since money is an issue, is something cheaper.

Chris

[Leon]

How does one get on this Pass-around anyway. I would love to be included.
I'm enjoying the reviews, but I don't think it is necessary to talk about how much these mouthpieces cost. We all know they are expensive, but no more so, and in fact less, than some of the vintage Links that are sold here on the Marketplace and on Ebay all the time. In fact, the Wanne mouthpieces would represent a savings over many of those.

[Rackety Sax]

How does one get on this Pass-around anyway. I would love to be included.
I'm enjoying the reviews, but I don't think it is necessary to talk about how much these mouthpieces cost. We all know they are expensive, but no more so, and in fact less, than some of the vintage Links that are sold here on the Marketplace and on Ebay all the time. In fact, the Wanne mouthpieces would represent a savings over many of those.

PM Spooner to be included.

[Nefertiti]

Well, I guess I'm up next.

I'm writing sort of a preliminary, but I really dont' know if I'll get to writing a second part.

I just got it today, and have played with it for about the last 2 hours (in between some emailing).

The first thing I noticed was the precision and the CNC'ing (besides there being a lot packing peanuts in the box). It's very nicely cut. The facing is amazing. Rails are very, very thin. Just astonished at the work that went into this. But, people have already commented on this so, I'll leave it at that.

The response is very nice. I pulled out one of my Orange Box 4's, and tried it. It wasn't really responsive, but, for a quick try out, I pulled out a Blue Box 3 and it blew very clearly (and not to bright, as I would expect from a Blue Box). Next I went to get a suitable Orange Box reed and cut some on it. It really improved the tone (that is, over the Vandoren). I guess the cut I made would make it a bit like a Java, more rounded heart.

But, back to the response. Good resistance, and not too much. And you can get quiet with this piece and a good reed. It doesn't take a whole lot of getting used to. The volumes are great. You can really dig into the piece with

As for tone. I like it. Very warm, fat. Overtone, but not too many. It you focus the air right, you can say it's Trane-ish in a way (thinking of Satellite, with the crescendos at the start of the head). The low volumes can get kinda airy if you spread your air. If you focus your air, it gets really crisp/focused, yet really warm too. I don't think there is a way you can get too unfocused of a tone with this mouthpiece, unless you really spread the air stream.

The ligature, I really like, though I'm not into the kinda hype that says that certain material give certain sounds and stuff, because I just assume that the little difference that it makes, if any, can easily be played through. For me, the lig plate coming in different materials doesn't make much sense to me, but oh well. Only one was included and it's not a big deal. However, the style of the ligature is good, slip reeds in and out really quickly if you need.

In total, the mouthpiece is very Linkish, and has that sound that you expect (though, I've never played a Florida). Unfortunately, I'm not equipped to make a recording. I did thoroughly enjoy playing this piece thus far and I would love to have one of these.

It could be the end of the road for many players, as far as that tone that they want (but then, again, it may not be). It is not magic or the holy grail but if a focused, warm, Link-ish vibe is what you're wanting, then it might fit you. For me, personally, though, I don't think it is worth 775.00 (although the craftsmanship and machining that went into this is). I think that a more viable option for me, since money is an issue, is something cheaper.

Chris

Make sure you try it with the lig in a few different positions also. I noticed a big difference when I moved it backwards and forwards in the response and tone.

[Blueskiestenor]

Sure thing. Didn't think about that, but I will. I really like the idea of having a fixed lig, though, for consistency and speed.

ADD:

It does make a bit of difference. Well, a little more than a bit. Moving it back is like changing reeds almost. I do like the second slot the best, though, it's a good mix.

[ranma503]

I personally liked magicalpig's phil-tone custom clip a lot better than either his clip of the Gaia or Steve's clip of the Gaia.

[Pete Thomas]

We all know they are expensive, but no more so, and in fact less, than some of the vintage Links that are sold here on the Marketplace and on Ebay all the time. In fact, the Wanne mouthpieces would represent a savings over many of those.

Only if they are better, and only if they hold or increase in value in the same way as collectible vintage mouthpieces.

[tenor71363]

I'd bank on these pieces holding and/or gaining in value as time marches on.

[Blueskiestenor]

This piece is really growing on me. The tone is just what I'm looking for, and it's so hard to realize that I don't have money for a piece this expensive. Maybe later.

But, I do think these pieces will actually grow in value. Especially if (and I hope this doesn't happen) they stop being made.

[tenor71363]

That's what happened to me, too. The first day with it was nothing special, but the next was great.

[Riedenlow]

I posted a review and a clip of the Gaia on my site. You check it out here (http://www.neffmusic.com/index.php?option=com_wordpress&p=198&Itemid=25). I really really liked this piece. It was my favorite of all the Wanne pieces I have played so far. As soon as I save up enough money I plan on getting one of these. Great piece!

Great sound and GREAT PLAYING!!!

[Riedenlow]

It looks CNC'd to me.

Every mouthpiece has the CNC machine put the initial facing curve on--to an extremely high tolerance and precision.

After the machining process, every mouthpiece gets the facing curve checked and adjusted (if need be) by hand. There will always be some variation in any manufacturing process.

The best way to guarantee success and repeatability is to design your process to eliminate as many of those variations as possible (building the quality into the process), and then be incredibly tenacious about pursuing anything that you can't build in (yet). Quality is always #1. No exceptions.

Hello Spooner!

How can I try this mouthpiece, living in Sweden???

[saxguy1953]

I have been playing tenor for 43 years and formally studied with two NYC based master saxophone teachers, Joe Napoleon and Joe Allard.

I say this because it gives you a general idea of my background, and my viewpoint, in that I am strictly old school insofar as gear is concerned…, in other words I need to try the equipment before I buy it; and as much as I would like it to be otherwise, I know that at least for me there are no “chops in a box or holy grails”.

Tested:
Gaia 7*- played over 4 days about 4 hours total.
Horn- Selmer Mark VI Tenor 86,XXX
Reed- Rico Jazz Select Unfiled 2H
Lig- Supplied with the Gaia

Appearance:
All been said; looks perfect. Great workmanship. The lig slot position did change the sound but I found it to be more a pain in the axx as far as changing the lig position than anything else.

Sound:
Great balance of low, mids, and highs. Can take a ton of air and be pushed, yet sub tones beautifully. For me it blew more focused than spread, really has that Dexterish vibe with some added punch. Altissimo is right there. Depending on the player and reed playing characteristics this piece could go from medium dark to medium bright fairly easily. Complex sound with lots of color and warmth.

Response:
For me a good resistance, less push back than a Link STM in similar tip opening. Even throughout the horn from bottom to top. Sounds like one horn if you know what I mean; great dynamic range. Opened a fresh box of Rico Jazz Select and found 4 very playable/workable reeds, so not reed picky for me at all.

Summary:
I am not really in the hunt to replace my primary piece. Given that this pass around piece was likely just one in the production run, I was really surprised at how good this was. I would not hesitate to buy it as a back-up, although the price point is a little steep for that purpose. If I lost or damaged my primary mouthpiece I would buy a GAIA tomorrow.

No question for me that the Theo Wanne GAIA is top shelf all the way, and given the choice of getting a blind Florida Link or a Gaia I would opt for the GAIA every day.

[Spooner]

Hello Spooner!

How can I try this mouthpiece, living in Sweden???

Riedenlow--

Check your PM box---

[Dr G]

I posted a review and a clip of the Gaia on my site. You check it out here (http://www.neffmusic.com/index.php?option=com_wordpress&p=198&Itemid=25). I really really liked this piece. It was my favorite of all the Wanne pieces I have played so far. As soon as I save up enough money I plan on getting one of these. Great piece!

Steve,

How does this fit in the mix of the Freddie Gregory Mk II and LAW LCD?

[Riedenlow]

Thanks for your help Spooner!

I would also like to ask if anyone can make a comparison with Jody Jazz DV when it comes to tone and volume...?

/Johan

[Nefertiti]

I posted a review and a clip of the Gaia on my site. You check it out here (http://www.neffmusic.com/index.php?option=com_wordpress&p=198&Itemid=25). I really really liked this piece. It was my favorite of all the Wanne pieces I have played so far. As soon as I save up enough money I plan on getting one of these. Great piece!

Steve,

How does this fit in the mix of the Freddie Gregory Mk II and LAW LCD?

I liked it a lot more than the LAW LCD or the FG II. It had just a bit more highs in the sound but I wouldn't consider it bright at all. Quite the opposite for me. It's funny because while I was playing it I was thinking that it was the darkest mouthpiece I have ever liked. Usually when a piece is more on the dark side i tend to not like it. This one I totally dug. I'd be interested in what you think Dr. G.....are you on the pass around?

[Dr G]

Thanks, Steve. I am working with a LAW LCD 9 now. I finally got the correct lig and am settling on some reeds for it - V16 2 is what I find most comfortable for now. I am starting to rethink just how large a tip opening is a good fit for me. I have been playing .120" for the last several years.

No, I'm not (yet) on the passaround as the price is beyond my comfort threshold. Yes, I realize that I could sell two or three mouthpieces and cover the $$$...

We'll see. I'm working on a couple projects now. We'll see where they take me. I may yet get on the Gaia passaround before it expires.

Be well.

[Thomas]

I played the Gaia for about 6 hours total with a variety of different reeds. Tonally it does capture the spirit of Fl Links but with more power. Sounded a bit brash with soft(2.5) reed but settled in nicely with a 3.5 Superial and the lig set on 2-3 or 4 hole. Even throughout the registers and it doesn't thin out up top. Seems to me that the lay is a bit short or shorter than I prefer anyway. Articulation was a bit slow for me.
As when I tried the Parvati I wanted to like this piece enough to buy one but I don't. It's lacking a depth and resonance and the ability for this player to manipulate tone and dynamics that I've been spoiled by with my Tenney Jazzmaster(s).
I have the highest regard for Theo both as a mouthpiece guy and a human being and his reface work is/was fantastic. IMO he's getting towards where I wish his new pieces should be in terms of tonal flexibility in one piece and turn on a dime articulation with the Gaia. I know he will because he truly cares what we think about his pieces and then I will buy one at any price.
Thanks Theo and Spooner(Matt) for the opportunity to try this piece.
Reeds I tried on the Gaia; Superial NY 2.5-Roberto's 3H-Bluebox 3+3.5-Superial 3.5
Horn used; 107xxx Mk VI

[Eye Kwubeck]

Thank you for the great reviews! I'd love to try one sometime.

[arkansasRed]

I played the GIAI on my Ref. 36 tenor and will post a full review in the near future. All I will say now is that I'm trying to get the money to buy one. I sure hated sending the pass around back to Spooner but it needed ligature repairs. Someone had tightened down the ligature screw/pins so hard that the ligature had opened up. I had my own Wanne ligature so the review went on.

More later............... Red

[arkansasRed]

I really like the GAIA and haven't had time to put up my review. I liked it because it was not too bright or dark. It played/responded good when playing soft or loud. I thought the tone to have somewhat a "sheen" to the sound. The tone is not too spread or centered. This is really an all round mouthpiece for me. It may not be for others as you know because it is really a personal preference.

I currently play an original Slant Link HR 7. I really like this piece but think the GAIA would be better for playing more modern music. I think there is a place for both pieces in the music I play. I've been playing for almost 50 years now and play Selmer Ref. 36.

Yes, I'm trying to get the money for the GAIA and I'm almost there.

[Datsaxguy]

Magical Pig - You sound very "Sonny" like to me on that Phil Tone and he is one of my favorites. I liked you on the Phil tone

Neff - You sound good on everything and I'm digging your exercise books.

Spooner - Where is the Gaia?????

Datsaxguy

[Spooner]

Spooner - Where is the Gaia?????

Datsaxguy

That's a good question. One of the Gaia mouthpieces has gone MIA, and despite repeated phone calls, private messages, and emails, I can't seem to get the involved parties to even contact me back, let alone figure out what's happened to the piece.

We've got a similar situation with one of the tenor Kali mouthpieces right now. I really want everyone to be able to try out these pieces, but if folks aren't going to be responsible and live up to their word (let alone just email or call me back), I don't know if this will be something that we can continue.

If you are one of these individuals that I have contacted trying to track down the pieces---please contact me soon so this doesn't ruin it for everyone else.

[pneumasax]

Is there a "tracking list" whereas who the mouthpiece is sent to is recorded.

[Spooner]

I currently have 9 lists of folks wanting to participate in the pass arounds and I do keep track of who has the pieces.

[MyMartinTenor]

Spooner - Where is the Gaia?????

Datsaxguy

That's a good question. One of the Gaia mouthpieces has gone MIA, and despite repeated phone calls, private messages, and emails, I can't seem to get the involved parties to even contact me back, let alone figure out what's happened to the piece.

We've got a similar situation with one of the tenor Kali mouthpieces right now. I really want everyone to be able to try out these pieces, but if folks aren't going to be responsible and live up to their word (let alone just email or call me back), I don't know if this will be something that we can continue.

If you are one of these individuals that I have contacted trying to track down the pieces---please contact me soon so this doesn't ruin it for everyone else.

wow that's really sad. hope it works out

[Bebopking]

That's too bad, I really want to try these mouthpieces. I've been reading all the reviews and waiting patiently for my turn.

Who ever has them, please contact Spooner!!

[Nefertiti]

You should out these people on this board so that we know who it is. I wouldn't include anyone in a passaround with less than 100 posts.

[arkansasRed]

Yea, "out" them so you can keep the pass around thing going. I really appreciate getting the GIAI recently. It gave me a chance to see what a really good mouthpiece played like. I liked it and I'm saving up to buy one. Only about $200 more to go.

Red

[LampLight]

The threat of outing may motivate some people to get on the stick, but outing itself should be a very last resort. I agree that people who have fewer than 100 posts should not be in pass arounds. (I would make it 500 or 250.) People who have not been here for less than some minimum length of time should be excluded too IMO, and there should also be a requirement for sending the piece along with tracking numbers or at least delivery confirmation.

Although vendors can and should the shots when it comes to pass around rules, it's easy to imagine that some of them might be reluctant to make restrictions for fear of alienating potential customers. This might be a case where intervention from the SOTW powers that be to establish some rules or guidelines would take the heat off of vendors and result in very minimal enforcement burden for the staff.

[Mal 2]

I would too. If only to answer the question of whether I simply prefer the Gaia or really, really don't like the Phil-ToneI understand now, you all have stocks in Theo Wanne's company and you want me to shell out $775!!! IT'S A CONSPIRACY!!! :twisted:

No, I have to agree (though I'm jumping in late) -- I like the sound you got from the Gaia better too. I can also see why it's a bit intimidating. I got the impression the Gaia gives you lots of freedom -- but sometimes that just makes it easier to hang yourself. It seemed like you really didn't want to go all the way to the edge, because there was a good chance you'd fall off.

The best-performing aircraft are unstable and need computers just to keep them in the air, but man can they do some crazy things.

People who flake out on pass-arounds deserve to be slapped "Airplane" style by everyone behind them on the list.

[magical pig]

I personally liked magicalpig's phil-tone custom clip a lot better than either his clip of the Gaia or Steve's clip of the Gaia. I guess it's a matter of taste. The Phil-Tone is more spread and "dirtier" than the Gaia. They are two mouthpieces aimed at achieving different types of sound IMO.

Magical Pig - You sound very "Sonny" like to me on that Phil Tone and he is one of my favorites. I liked you on the Phil toneThanks so much! You've just compared me to my favorite player for sound. 8-)

No, I have to agree (though I'm jumping in late) -- I like the sound you got from the Gaia better too. I can also see why it's a bit intimidating. I got the impression the Gaia gives you lots of freedom -- but sometimes that just makes it easier to hang yourself. It seemed like you really didn't want to go all the way to the edge, because there was a good chance you'd fall off.What I really loved about the mouthpiece is how it plays. It's so easy and immediate that, as you said, it's almost intimidating. I think if Theo made a piece that has the same dynamic and response but with a more spread and "fuzzier", "dirtier" sound, I'd go for it. Maybe the Ambika?

Now that I think about it, it would be a description similar to my experience on Morgan Fry's Floridated Link... It's less responsive but has more of a sound I like.

I'm sure that's something I already mentioned on this forum but the sound of the Gaia reminds me a Brian Powell's work. The sound seems a bit too "neutral" for me. I'm sure others would love this as, I guess, it would give more margin to get your personal sound through but I personally like mouthpieces "with an attitude". Don't know if that makes sense...

Victor.

[Datsaxguy]

The threat of outing may motivate some people to get on the stick, but outing itself should be a very last resort. I agree that people who have fewer than 100 posts should not be in pass arounds. (I would make it 500 or 250.) People who have not been here for less than some minimum length of time should be excluded too IMO, and there should also be a requirement for sending the piece along with tracking numbers or at least delivery confirmation.

I think we need to come to some consensus about when and how we "out" the parties involved in these incidents. My idea is that we start a thread that asks a simple question like this "Is (forum member) a thief? If you are not please respond" This let's everybody know what's going on. I would then update the passaround thread with pertinent info. OR we all start PM'ing the parties asking them what's going on.

I like to give everyone the benefit of the doubt. I would like to think that there are some circumstances beyond there control and that it's not their fault.........but it's probably not. Theft is just inexcusable. Not communicating is inexcusable. I hope it's just a communication issue. People work hard for their property and it's not cool for MUSICIANS, the most underpaid people on the planet (for the most part) to steal from each other. Its just not right. Spooner your are a class act, and thanks for extending yourself. I probably would have outed these folks already.

I hope the parties are reading this thread realizes that Matt just wants the mpc back. He does not want to cause your reputation any harm.

Please keep the passarounds going. How many of you guessed that I was next on the list?

Datsaxguy

[saxphil]

(In my imaginary Wanne world)
I'd like to hear a dirtier, darker sounding modified Gaia or a brighter metal Parvati comparison in sound clips, if ever that would come to be.

Sopranosaxman has Leon's modified to be brighter Parvati that I would love to hear a clip of that he mentioned might be possible, but nothing yet.

[LampLight]

I think we need to come to some consensus about when and how we "out" the parties involved in these incidents. . . .

Thanks for commenting, but in order not to dilute this thread, additional comments along this line might be better made in the thread Should there be Guidelines or Rules for Pass Arounds (http://forum.saxontheweb.net/showthread.php?t=121441).

[Datsaxguy]

Spooner - Where is the Gaia?????

Datsaxguy


I received the Gaia today. Thanks and Kudos to the person for doing their part to keep the passarounds on SOTW alive. There are still honest people in the world.

A thorough review of the mpc on a couple of different horns will be posted soon.

Datsaxguy

[newlifesax]

Thanks for your help Spooner!

I would also like to ask if anyone can make a comparison with Jody Jazz DV when it comes to tone and volume...?

/Johan

I've got the GAIA right now over here in East Texas. My primary piece has been a JJ DV for the last year or so. I'll post my thoughts on this comparison when finished with the GAIA. My early thought is that the DV may be in trouble!

You know, when your wife says, WOW, that sounds good.....

NewLifeSax

[Swampcabbage]

Does this me both Gaia's have appeared or just one? It seemed like there was still one around and another MIA.

[tenor71363]

I just bought a size 8 and am anxious as hell to get it in the mail.

[pneumasax]

Thanks for your help Spooner!

I would also like to ask if anyone can make a comparison with Jody Jazz DV when it comes to tone and volume...?

/Johan

I've got the GAIA right now over here in East Texas. My primary piece has been a JJ DV for the last year or so. I'll post my thoughts on this comparison when finished with the GAIA. My early thought is that the DV may be in trouble!

You know, when your wife says, WOW, that sounds good.....

NewLifeSax

I was in the same boat with my DVs on alto AND tenor. I no longer have my DVs. :shock:

Now waiting to play Theo's soprano pieces - I believe my DV soprano piece will have to take a walk as well.

[Spooner]

Does this me both Gaia's have appeared or just one? It seemed like there was still one around and another MIA.

Yes--we do indeed have two Gaia's in circulation again.

[Spooner]

In an attempt to better everyone's knowledge of where they are at and who's got the pieces, I've decided to post the remaining list of folks for the Gaia pass around.

List #1:
1. JB4sax
2. Sambeaux
3. Domo
4. scooby
5. Bebopking
6. odsum25
7. NickBGood
8. bfoster64

List #2:
1. Birdman
2. Drakesaxprof
3. Qsquared3
4. pneuamsax
5. jneelt
6. blue boy
7. saxmanjack
8. MyMartinTenor

I would like to re-emphasize that I still would like to get emails when you receive the mouthpiece (just to help me keep tabs on where it's at) and even more importantly, please email me with a tracking number when you ship it to the next person in line.

If you are on the list and you are unsure about whether or not I have your current contact info (i.e. you could have possible moved since you gave me your shipping information originally--common among students) please contact me to make sure that I have your correct shipping info.

I'd like to thank everyone that's fully participated so far, there have been a few mix-ups along the way (some to be expected) but for the most part things have gone really smoothly--a testament to the folks here SOTW.

[The A Train]

I just bought a size 8 and am anxious as hell to get it in the mail.

This surprises me, the way you sound with Docs Jazzmaster I would have thought that would have been 'it' for you.

[newlifesax]

Thanks for your help Spooner!

I would also like to ask if anyone can make a comparison with Jody Jazz DV when it comes to tone and volume...?

/Johan

With great reluctance I sent the GAIA to Birdman yesterday.

For point of reference - I am strictly a hobbyist; played in high school in the early 70's then quit for 15 years. I picked back up about 20 years ago. Most of my playing has been in church settings but I do play lead alto in a local swing band. I also play with a group of old rockers doing 50 - 80's cover music. I'm the only horn in that group so I have a great deal of freedom.

This is the first Wanne piece I've ever played. It's also the first time I've been part of a pass around.

My tenor is a 5 year old Cannonball Big Bell. My normal mp is a Jody Jazz 7*. I also occasionally switch off to the original CB jazz mp that came with the instrument. I also have a Meyer 5M that I used full time for about the last 15 years before going to the JJDV. My reed of choice (due to laziness I think) is Fibracell... 2.5 or 3 depending on the gig. Ya know, slap it on and play!

With the GAIA I also messed around with ZZ 2.5, V-16 2.5, RJS 2.5, and a LaVoz Med.

For the 4 outings that I played with the GAIA I actually used a Fibracell Med Soft. All four outings were different - contemporary worship service in my local small church and a 3000 seat church auditorium in Dallas. One gig with my old rocker buddies. In these I am mic'ed and amplified. The other was filling in as lead tenor for a swing band I used to play with (no mic). The GAIA fit in well in all for settings. Not a hitch!

VOLUME - As to the question from Riedenlow comparing the GAIA to the JJ DV - although the GAIA can be pushed to generate much volume, it still wasn't as loud as my DV. To get great volume from the GAIA I had to push it. The high baffle DV is just too easy to play too loud. I suppose after playing the DV, I found the GAIA very easy to control from a whispered sub-tone to a howling upper register ( I don't do altissimo). The piece fit very well in my outing with the big band.

SOUND TEXTURE - no comparison. On all reeds the GAIA had more going on in the tone than the DV. For me there was a thickness, or depth and richness on the GAIA that's definitely lacking on my DV. I heard sounds within sounds as I continued to play the GAIA. The GAIA is complex, the DV much simpler.

To me the the GAIA sound was like running your hands over or through a thick, rich, multi-layered tapestry, and the DV is like doing the same to a polyester leisure suit. Not a musical comparison I know, but in my head it makes sense.

There's been wonderful descriptions of the GAIA by others before me as to tone, workmanship, etc. I don't think I've read anything that I disagree with from previous reviews. Like other's I'm wondering how I can scratch together enough money to get one of these.

I loved it. My wife loved the sound of it. My band mates loved it. My DV is in trouble. And for the record, I did wear leisure suits back in the day. :)

Thank you Spooner and Theo Wanne for sharing this piece.

Phillip

NewLifeSax

[pneumasax]

Thanks for your help Spooner!

I would also like to ask if anyone can make a comparison with Jody Jazz DV when it comes to tone and volume...?

/Johan



To me the the GAIA sound was like running your hands over or through a thick, rich, multi-layered tapestry, ...



Ok, THIS description was captivating....too darn "sexy." LOL :D

I can't wait to try this piece.

[saxmanjack]

We'll have to give an award to the most colorful description.

[LampLight]

Hmmmm. . . . I've never run my hands through a a thick, rich, multi-layered tapestry. But that's okay. I get that newlifesax really dug the tone.

[newlifesax]

Yep...dug the tone. A lot.

I was playing at church tonight and during our warm up I swapped back and forth between the Meyer 5m and the JJDV...neither made me smile like I did for the few days playing the GAIA.

I've trial tested a couple dozen different pieces thru WWBW, and for me, none have come close to the GAIA.

I'm saving my money already, and Christmas isn't too far off.

[Birdman]

Okay, here's my review of the GAIA

LOOK: Once I took it out of the leather package I could see this was a well finished mouthpiece. It looks great from the frosted gold look to the blue engraving on the top of it. It's just a nice piece to look at and the tip rails look thin and perfect.

SOUND: The GAIA I have to say (no offense to fans) seemed to be lacking in the sound department. For $750 I expect a GREAT playing mouthpiece but this piece to me seemed quite average. I played it for 10 hours on and off with my link on the saturday after I got it. And even though my link is a stock piece it out played the GAIA. I even had some of my family members A/B and they said they liked the link better. Maybe this is just due to the fact that I'm comfortable on my link.

REEDS: I tried it with both Rico Royal 4's and 3 1/2's neither seemed to change the sound much but the 4's felt more comfortable to me on the piece, it's a 7* btw.

PROJECTION: It had a considerable amount of projection but, not too much more than my link, it was noticeable but on a big band gig or something like that a difference would not be clear to listeners.

SOUND: Compared to my link it was a shade or two brighter. It would sound nice in a combo setting. Too reinforce this I took it to a practice I had later in the week and they said it was noticeably different but that the sound was not different enough to say if either was better.

OVERALL: I thought playing this piece wasn't too far of a stretch from the link. It was I have to say a little more comfortable in my mouth but aside from that I don't think it's worth 6X as much as link when they play almost exactly the same way. Maybe other people will enjoy it as much as newlifesax did but, I can't say I'm one of these people. out of 10 I'd give it a 6.5, with my link getting about a 6.65. Like I said not too much of a difference.

Hope this helps,
-Birdman

[saxphil]

delete

[Birdman]

SOUND: The Durga I have to say (no offense to fans) seemed to be lacking in the sound department.

???... did you mean to say Gaia?

Yes, thank you, I've now fixed the mistake.

[arkansasRed]

In an attempt to better everyone's knowledge of where they are at and who's got the pieces, I've decided to post the remaining list of folks for the Gaia pass around.

List #1:
1. JB4sax
2. Sambeaux
3. Domo
4. scooby
5. Bebopking
6. odsum25
7. NickBGood
8. bfoster64

List #2:
1. Birdman
2. Drakesaxprof
3. Qsquared3
4. pneuamsax
5. jneelt
6. blue boy
7. saxmanjack
8. MyMartinTenor

I would like to re-emphasize that I still would like to get emails when you receive the mouthpiece (just to help me keep tabs on where it's at) and even more importantly, please email me with a tracking number when you ship it to the next person in line.

If you are on the list and you are unsure about whether or not I have your current contact info (i.e. you could have possible moved since you gave me your shipping information originally--common among students) please contact me to make sure that I have your correct shipping info.

I'd like to thank everyone that's fully participated so far, there have been a few mix-ups along the way (some to be expected) but for the most part things have gone really smoothly--a testament to the folks here SOTW.

OK. So where are the reviews? There are several people on the list.

Red

[MyMartinTenor]

Spooner had a thread that he was busy dealing with family medical emergencies. It may be delayed because of that.

[Birdman]

I sent the GAIA out a couple weeks ago to Qsquared3, so his review should be coming up next but I don't know where it is.

[saxmanjack]

This is ridiculous. I've dropped out, so everyone gets to move up a chair.
'Large chamber' pieces don't work for me anyway...

[pneumasax]

I received an email from "spooner" the other day and Gaia #2 is on its way to me. I should have by the end of the week.

[arkansasRed]

I tried the GAIA passaround several weeks ago. I liked it so much that I've bought one and it should arrive today. I also have 2 more coming in another week so I can pick the best one for me from the three. I'll post a review after picking from the three.

[MyMartinTenor]

This is ridiculous. I've dropped out, so everyone gets to move up a chair.
'Large chamber' pieces don't work for me anyway...

Thanks buddy -- only me behind you anyway, but I appreciate the bump! ;)

[pneumasax]

Hello,

I've had the Gaia 7* for a couple of days now and will give my brief rewview of it.

The is like every Theo Wanne mouthpiece I've played; lush in the lows and "full" in the middle and upper register. It plays basically like my Amma II, GREAT projection and response in all registers, but with less edge (darker).

I know this a very short review but if you would read my reviews on Theo's other pieces, you the description for the Gaia with the major differnece being that the Gaia is not as "edgy." I would have liked to have tried it in an 8 since my Amma and Durga are both an 8.

PEACE........